Was clearly the equal of any of the PREDATOR movies and better than ALIEN 3 and RESURRECTION. Hand and/or played to their peers ( Magnolia Simply because the producers coddled and feted the critics before Movie they had to pay for, and I've seen a large number of crapįlicks that won critical praise, and even the odd Oscar nomination, I've yet to see any critics grant favors to a ![]() TRIVIAĪllowing critics free previews is going to give it a lot of bad By the time the audience gets halfway through the movie, they are so damned frustrated with the ridiculous plot devices that no ending is going to make them happy. The storyline often has the hero unendingly tormented by various bureaucratic roadblocks of legalese while the antagonists are freely able to continue their crimes in a magical vacuum where cops and witnesses don't exist, except to finger our hero. Which is why these types of movies usually don't work. In most revenge fantasy movies, the story takes at least a good two thirds of the movie before the hero is able to get on track and successfully take revenge against his persecutors. Said accident occurs very quickly in the film. While later revealed to be just that, a rumor ( the chasing paparazzi were too far behind to have caused the car accident with their flashbulbs, though they did gather around the accident like vermin and snap pictures of Diana as she died), the idea has remained that there is no depth to which paparazzi will not dive to get or invent a photograph. The screenplay, by Forrest Smith, throws together past stories of abuse by paparazzi, the centerpiece being the 1997 car accident/murder rumor of Princess Diana, her boyfriend, Dodi al-Fayed, and their friend Henri Paul at the hands of paparazzi in France. Yet PAPARAZZI plays very much to the crowd, as formulaic as you can imagine - which is no stretch. Paul knows how to get his shots, move his actors about, and, unlike some directors this summer, he knows not to blur the focus and otherwise jiggle and bounce the camera about as a substitute for action enhancement. Which is to say, it was very professional but not in the least creative. These always came at precisely the right moment, when the film was right at the edge of dragging.ĭirector Paul Abascal ( Previous directing credits include a TV episode of TALES FROM THE CRYPT and WITCHBLADE - he also has a lot of hairstylist credits according to ) was entirely evenhanded with his direction here. The only minor surprises to be had were rather humorous cameos sprinkled throughout the film. ![]() In an odd way, that had its charm: delivering exactly what was promised. I saw it all coming as did anyone who watched the previews and ads. I'm thinking that the film will now reveal things I wasn't led to expect from watching the trailer.īut it never did. So when I go into a movie like this, I'm expecting surprises. ![]() We already know, by the ads, that he will succeed at some of them. So all that's left, really, is knowing whether or not he will succeed. In other words, we know that the good guy gets attacked by bad guys and then comes after the bad guys one by one. Right up until its release, PAPARAZZI drenched the theaters and television with trailers showing what the movie is about and how it will likely end.
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